My latest joy in the studio has been making paper with a new handmade sugeta mould. The mould consists of 2 parts – an interior flexible bamboo-splint mat, and an exterior framework which houses it. My main goal is creating consistent sheets – in color, texture and weight. I aim to make a good numberContinue reading “pale pink papermaking”
As one of the simplest forms of human technology, it could be argued that paper has had the most impact on the proliferation and preservation of knowledge worldwide. When I work with paper as a medium and/or as a support, some of the questions that provoke my research are: How do paper and books operate within social,Continue reading “clouds in a sheet of paper”
A Place to Rest One’s Palms, 2019 Cyanotype on handmade paper from Thai Kozo (mulberry), Mitsumata, Philippine Gampi, Soapnut natural dye, Handmade rope and covers from Thai Kozo Dimensions variable (can be open or closed as a folded book) when open 88 in. x 42 in. x 1.5 in. The sewn structure is based onContinue reading “Homage to the Ancients”
If you are a poet, you will see clearly that there is a cloud floating in this sheet of paper. Without a cloud, there will be no rain; without rain, the trees cannot grow: and without trees, we cannot make paper. The cloud is essential for the paper to exist. If the cloud is notContinue reading “All Things Inter-are”
In Signatures, Version II, no text is present, there are no discernible pictures. It is the pure form and gesture of the earthen material to be read, which echo signs of human touch, providing textural information, and having a memory of its own. Each signature has unique punctures along its spine, traces of its disembodiment.Continue reading “the book as sculpture”
Jaz Graf Mother Water, 2018 Laser-etched acrylic, cyanotype, porcelain Dimensions variable (15 panels – each 14”x11”) This work is from my recent exhibition, of origins and essence @ The University of Notre Dame. The river featured is Thailand’s Chao Praya.
Place Exhibition runs through 7/19/17. Reception 6/14/2017. View this email in your browser Please join us for a free public reception on June 14, 2017 from 5:00 PM – 7:00 PM at the Notre Dame Center for Arts & Culture located at 1045 West Washington Street, South Bend, IN 46601. Place This group exhibitionContinue reading “illumination of past & future”
Book binding can be so meditative! So far, my favorite binding I’ve practiced is the french loop link with exposed spine.
NEW FACES @ AAHD Gallery, University of Notre Dame On view Dec 1, 2016 – Jan 16, 2017 Jaz Graf – Trophic Avulsions, 2016, Cyanotype accordion book with thread drawing, paper lithography and laser engraving on wood, Dimensions variable, closed: 6” x 8.5” x 1” Jaz Graf – Here and After Series, 2016, Paper lithography on muslin with laser cut-outs,Continue reading “Exhibit @ AAHD Gallery”
A new book in progress! Cyanotype images featuring deltas of the world, with thread drawing throughout. I was thinking about the currency of transboundary rivers and all that collects at the delta. Aerial views of these land areas provide a vast expanse of what is perpetually in flux.
Articulations: Jaz Graf Curated by Adrienne Wheeler Sept 6, 2016 – July 31, 2017 Reception on Thursday, October 20, 2016 from 5-7pm as part of Newark Open Doors Festival Free and open to the public. The exhibition was organized by Paul Robeson Galleries with funding provided by Chancellor Nancy Cantor’s Seed Grant Initiative.
The Mary H. Dana Women Artists Series, a program of the Center for Women in the Arts and Humanities (CWAH) in partnership with Rutgers University Libraries, announces a group exhibition in honor of The Feminist Art Project’s 10th Anniversary entitled TFAP@TEN. Established at Rutgers University in 2006, The Feminist Art Project (TFAP) is an international collaborative initiative advancing theContinue reading “10 Years of The Feminist Art Project”
Nine solo exhibitions in drawing, painting, and print featuring Terri Amig: Mercury and the Little Mysteries, Enrico Gomez: Paper Works, Lisa Ficarelli-Halpern: Chamber Pieces, Eileen Ferara: Estuary, Jaz Graf: In Other Words, Carol Radsprecher: We’ve Escaped the Studio!, Eliot Markell: Imaginary Sculptures, James Prez: Bird(s) on a Wire, and Max Velez: Faces. @ Drawing RoomsContinue reading “In Other Words”
I made this print several months ago working with the concept of absence and ghosts. The feather plumes drift and sway with air currents. On View in the Main Gallery at Manhattan Graphics Center, NYC thru August.
One segment of a four piece drawing. Tar, acrylic, thread, pencil, flocking on paper. Part of a group show – “RAW DRAWING” On view until Nov 3rd, 2013 @ The Drawing Rooms in Jersey City. DRAWERS Eileen Ferara, Elizabeth Onorato, Ibou Ndoye, Steve Singer, Margaret Weber, Sandra Desando, Maggie Ens, Mike Markman, Kim Wiseman, GregContinue reading “flocking it”
On view thru June 8, 2013 – KSC Art Alumni Exhibition curated by Rosemarie Bernardi, featuring works of Randall Merchant, Jaz Graf, Katie Houle, Eileen Longe, and Nicholas Petrow. My work was featured in a recent article by Summer Dawn Hortillosa in The Jersey City Independent – http://www.jerseycityindependent.com/2013/04/29/a-lasting-impression-artist-jaz-graf-deconstructs-materials-to-build-new-ideas/
Like a madd scientist I mixed solutions and noted conclusions from experimentations. These are my first chemigrams – prints made utilizing photo paper and chemicals. So much fun!
Working in the studio late the other night….Cardinals are being born.
These pieces were recently exhibited at City Hall in celebration of Women’s History Month. Book pages are selected poetry by women from Immortal Poems of the English Language.